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process, and so the Short Organon is his calling card: Look. But there is nothing in Brecht that is about that. His dialogue is not very fragmented at all, in comparison with some modern playwrights, certainly in comparison with Tony Kushner he can write amazing scenes in which nobody ever finishes a sentence Brecht never did that his is much more a literary enterprise tied. He wanted us to suddenly see something from a different point of view. Part 3: Brechts Ideas for a Post-War European Theatre Connections to the IB, gcse, AS and A level specifications Innovations Significant moments in the development of theory and practice Social, cultural, political and historical context Influence Use of theatrical conventions PC: Can we talk about. Summary Brecht is colourful, funny and lively. This is a very emotional moment, but then immediately afterwards we get a scene that changes the point of view entirely. But there are also little ones simply when characters step out of character, step forward and address the audience directly. Okay with some justification. Many of the conventions have a connection with this elusive and somewhat confusing term: Verfremdung.